Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.

The people of Yazd are harassed by Qasim the extortionist, until Habib and Tahir force Qasim to change his ways. One night, Habib meets Shirin, Qasim's friend, in a notorious neighborhood and offers to marry her if she repents. Habib takes Shirin to Mashhad and gives his sister Maryam to Tahir. Qasim, who holds a grudge against Tahir, insults Maryam. The local baker, who witnesses the incident, remains silent, and Tahir marries Maryam to protect his reputation and that of his friend. Qasim's henchmen spread the rumor that Tahir married her after deceiving Maryam. They lock him in a room to silence the baker. Habib returns to Yazd with the intention of taking revenge; But the local confidants force him and Taher to face each other in the depths of the fort to prevent bloodshed. Before the fight begins, the baker escapes with a wounded body and, with Shirin's help, makes his way to the fort and reveals the truth. Habib and Taher go after Qasim and eventually hand him over to the police.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Four more classic horror films that are entertaining even if occasionally absurd.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.