Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

David goes about his life unaware that he is being followed by a stranger recording his every move. As the stranger gets closer he sees more of the dark secret that David is hiding from his boyfriend and the world around him.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.