“Supergirl” is like, fine, or whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

After former Afghan refugee and photographer, Muzafar Ali, discovers that Afghans have been an integral part of Australia for over 160 years, he begins to photograph their descendants in a search to define his own Afghan-Australian identity. The Cameleer Descendants are a mix of Aboriginal, Afghan and Colonial Australian and as Muzafar meets and connects with the resilient but traumatised community he learns about his new country’s complicated history. His journey is interrupted when Afghanistan is handed back to the Taliban by the US and International Forces, and he races to help his friends and colleagues left behind.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.