The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

The figure of the warrior, embodying universal values, is inverted and simplified, oscillating between opposites. Light and shadow exchange places to reveal a new outline from the same symbolic configuration. By removing the battlefield from the image, warlike gestures are revealed as dance, and the archetypal masculinity becomes blurred.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
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