Warprize 

Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.

Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Can a homeless yet optimistic teenage girl learn to accept a helping hand?

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.