"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

Fifteen years have passed since the Martians’ first failed invasion of Earth. The year is 1914, and at the eve of World War I, Mars launches a sudden and more devastating second attack. A small defense force, A.R.E.S., is Earth’s only hope. The giant A.R.E.S. battle tripod GOLIATH is called up to war, and its young multinational crew must face their fears in their struggle to save Humanity from the alien invaders.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
This anti-love young adult movie includes mature topics and dialogue.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Intergenerational friendships and community can be so powerful, and this was a great example.