As 1809 nears its end, Natasha attends her first ball, where Andrei falls in love with her with the intent of marriage. However, as her father demands they wait, the prince travels abroad, leaving Natasha in desperate longing. But she meets Anatol Kuragin and forgets Andrei. Part two of the four-part adaptation of Leo Tolstoy's 1869 novel.
Sergey Bondarchuk
Director
Ludmila Savelyeva
Natasha Rostova
Sergey Bondarchuk
Pierre Bezukhov
Vyacheslav Tikhonov
Andrei Bolkonsky
Viktor Stanitsyn
Ilya Andreyevich Rostov
Kira Golovko
Countess Rostova
Oleg Tabakov
Nikolai Rostov
Sergei Yermilov
Petya Rostov
Irina Gubanova
Sonya
Anatoli Ktorov
Nikolai Andreyevich Bolkonsky
Antonina Shuranova
Princess Maria
Irina Skobtseva
Hélène
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.