'Don't Make Me Go' — A Basic Story With The Year's Most Heartbreaking Ending
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.



Ayan Mukerji steps into YRF’s spy universe with War 2, and while the teaser may have felt underwhelming, the final film is anything but. This is a slick, stylish, and emotional action drama that puts Kabir (Hrithik Roshan) in the middle of his most personal and difficult mission yet. He is forced to cross dangerous moral lines and make sacrifices he never imagined, only to face powerful new obstacles in the form of Junior NTR’s fierce RAW assigned Agent Vikram The question isn’t just how far Kabir will go, but why he is willing to risk everything.
In terms of direction, the film feels refreshingly different from most spy-universe entries. Where earlier films tend to stick to a familiar color palette, Ayan Mukerji experiments boldly with light and tone. Neon hues, inventive grading, and kinetic camera angles give War 2 a unique identity. One standout scene drenched in striking red lighting is both cinematic and symbolic, showcasing just how much Mukerji elevates the visuals. At times the style takes the spotlight over substance, but it’s undeniable that he brings fresh energy into the universe.

Years ago Agent Kabir went rogue, became India’s greatest villain ever. As he descends further into the deepest shadows... India sends its deadliest, most lethal agent after him, Agent Vikram A Special Units Officer who is more than Kabir’s equal and a relentless Terminator driven by his own demons, determined to put a bullet into Kabir’s skull.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.