'Honor Roll Boys' (MiamisFF Review): A Bit of Harmless Fun
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.

Transparente Ao Vivo is the first live album of Brazilian pop singer Wanessa Camargo, released in 2004 by BMG. There were only four unreleased songs, two of which became singles. The first 13 tracks on the CD were taken from the inaugural show of the eponymous tour. The DVD was directed by Marlene Mattos and was recorded on September 20th and 21st at the ATL Hall in Rio de Janeiro in 2003.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.