Wandering Streams 

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.

Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

This reboot of The Wonder Years is told from the lens of a Black man.