Documentary paying tribute to one of the most successful managers in the history of Scottish football, Walter Smith. A winner as manager for Rangers and Scotland, Walter Smith was a man whose character won respect across the hard tribal lines of our national game. Featuring rare archive, and told with interview contributions from the people who knew him best and who worked with him throughout his long and varied career, the programme explores the numerous successes at Rangers, his experiences as a manager when he headed south to Everton in the English Premiership, his leadership of the Scotland national men’s team and his sensational return to Rangers in 2007. Walter: A Life in Football follows the highs and lows of Smith’s career, exploring the characteristics that made players, fellow managers and supporters venerate him. He was genuinely loved and revered by many, including titans of the game such as Pep Guardiola and Sir Alex Ferguson.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
