“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

Stephan is a sculptor. He refuses to do work that compromises his integrity. He has a guardian angel he talks to. We can't see him but we can hear his voice commenting on events Stephan gets involved in. As he crosses paths with the Artist, the Professor, the Director, the Poet, the Musician, the Actress and the Beloved, a world of characters arises to display a whole array of personalities and lives that share the spark of the creative spirit but also the lack of successful career. The voice of the angel reflects upon patronage in art and protecting your talent against corruptive forces, yet not through escapism but by learning the rules of the game.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.