Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Waiting on the World... poster

Waiting on the World... (2022)

A former basketball legend finds himself back in his hometown with his three best friends. He tries to fight off time, women, and change to keep his group of BFFs together - but nothing lasts forever.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A former basketball legend finds himself back in his hometown with his three best friends. He tries to fight off time, women, and change to keep his group of BFFs together - but nothing lasts forever.

Rating:
Genre:Comedy
Directed By:William Henry
Written By:William Henry
In Theaters:9/25/2022
Box Office:

Runtime:99 minutes
Studio:

Articles You May Like


Escape White Suburbia in "The Gates"

The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor. 

Jo Moses

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones