Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

After a fateful bicycle collision, two opposites—Du Yifeng and Qiao Bin—go from rivals to business partners. As hidden family secrets and unspoken feelings surface, they, along with friend Nan Yu, learn to face their emotions and grow together, finding balance between friendship, love, and ambition.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.