
Wagner does not exist. At least not officially. However, after months of investigation and for the first time, Alexandra Jousset and Ksenia Bolchakova plunge us into the heart of this secret army. This film is an investigation into the Russian private military company Wagner. Deployed on all the hot spots of the planet. Its thousands of mercenaries are the armed arm of a Russia that dreams of being great again, applying the recipes learned by Vladimir Putin at the KGB: destabilize and disinform.
Falling in love with 'Rocketman" all over again.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.