The Heart Behind "GOAT"(2026)
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.

Witness the rise and fall of The Warehouse, a rave venue from Plymouth and times gone by now reduced to a derelict shell. We explore its history, its people and the future. An amateur filmmaker-explorer finds the building in an empty derelict state, long after the prosperous life and energy it endured through the 90s. Through a combination of archives and stories of people who lived there, the film explores through the medium of analogue what once was and how even a now silent derelict shell can become the centre of the universe.
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.