'Eve's Bayou' Brings Post-Memory Towards West-Indian Culture
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.

Doña Nati, the owner of a house of prostitutes, takes a little vacation to attend his niece's first communion in the village. She is accompanied on the trip by three of his pupils: Barbara, Mercedes and Eva who pretend to be her friends. But soon, men realize what they are and begin to try to flirt with them. Doña Nati makes a splendid gift to the people and thus wins the favor of its inhabitants.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.