Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

A paparazzi reporter and a female doctor with exhibitionism can't help their instincts. Jae-hoon was a cameraman but he was fired for something and is now a paparazzi. He is known for his neat work but his usual task is catching people in affairs. One day he gets a call from a woman asking him to keep watch on her twin sister. The sister owns a sexual consulting clinic so he goes as a patient. Then he starts to watch her in secret. As time goes, he shows signs of voyeurism and obsesses with her. The doctor's sister cancels her request but it's too late. Then he finds out that the doctor wasn't a twin sister but in fact the client herself and he blinds himself. Did Jae-hoon's voyeurism go away or was he a sexual pervert? Or did he really love the doctor?
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
A man found himself stuck inside the passage to the subway exit on the way to work.