Magic in the 'Moon Knight'
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.

The witch is a bit of a wildflower, a bit of a witch - and she loves the prince! Silver Hata, who rules the land below Radobel, no longer believes in human kindness, or even love. She does not want to let her favourite magical forest creature, the young and beautiful Vohnice with the red shining hair, among the people. That they would not disappoint and betray her. But Vohnice looks out at the human world day after day from the tallest tree in the forest. Until one day her curiosity gets the better of her and she secretly goes straight to the castle where Prince Kilian lives. The love between the two of them ignites like a wild fire. But Kilian is the heir to the throne and Vohnice is a bit of a wildflower, a bit of a fairy and a bit of a witch...
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.