
Following the death of his ex-wife, a retired police officer, who is known for his investigative prowess, unexpectedly gets pulled into a criminal case involving organ harvesting.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.