Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Visitante de invierno poster

Visitante de invierno 

This is the story of Ariel Lambert, a twenty year old, who is advised to rest in a quiet place after a psychiatric episode. He moves together with his mother and sister to Villa Mar, small seaside resort, which is practically deserted at that time of the year. Slowly, Ariel discovers that children go into a house nearby, (which is supposed to be derelict) and they never come out again. Is this happening for real? Or is it only a figment of Ariel's sick mind? There will be only one way to find out: Ariel will have to go into the house himself
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


This is the story of Ariel Lambert, a twenty year old, who is advised to rest in a quiet place after a psychiatric episode. He moves together with his mother and sister to Villa Mar, small seaside resort, which is practically deserted at that time of the year. Slowly, Ariel discovers that children go into a house nearby, (which is supposed to be derelict) and they never come out again. Is this happening for real? Or is it only a figment of Ariel's sick mind? There will be only one way to find out: Ariel will have to go into the house himself

Rating:
Genre:Horror
Directed By:Sergio Esquenazi
Written By:
In Theaters:
Box Office:

Runtime:95 minutes
Studio:Cinemagroup

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik