VISIONS OF ATLANTIS continue their everlasting symphonic journey, drawing the listener into the maritime depths with their first ever LIVE Blu-ray/DVD, which was recorded live at the 2019 BANG YOUR HEAD!!! Festival with the Bohemian Symphony Orchestra Prague. With unique and powerful live performances and an unmistakable interpretation of symphonic heaviness, VISIONS OF ATLANTIS are currently enchanting audiences globally. In 2019 the band realized their dream of captioning their symphonic experience at the highest level - supported by the orchestral accompaniment of the Bohemian Symphony Orchestra Prague for the very first time, the quintet captivated the audience once again with their impressive headliner set at last year’s Bang Your Head!!! festival. The outstanding symbiosis of Clémentine Delauney’s and Michele Guaitoli’s vocals, accompanied by breath-taking soundscapes and impressive scenery, will guide fans through the deep valleys of the untamed seas.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
A socially conscious film that draws attention to the plight of American military veterans.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
