It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

In an unforgiving world, Ubu Kamigori hunts criminals as a bounty hunter. But one day, waiting in her home is the man she shares a sordid history with—Mr. Elegance. And so, her destiny begins to unravel.
This is not a story of oppression but a story of liberation.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.