Is She The Suitcase Killer?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.

Just how low will they go for a YouTube sensation? Three online video creators are trying in vain to create a viral video. They have cute, boring spots that are largely ignored on YouTube-and they have increasingly impatient investors. Enter a mysterious consultant whose videos have garnered millions of hits-by dispensing with good taste. Overjoyed by their newfound success, the team pops out one popular video after another, from Sasquatch and Yeti in a curling match to "Breast Feeding While Driving". But as their business starts to take off, they realize that they know nothing about their consultant. Co-writer/director Taylor Guterson (Old Goats) partnered with Erik Alskog (co-writer/director, cast-member) to produce Viral Viral -- a darkly comedic tale of the crackpot underbelly of public media where nothing is off-limits in the quest for hits.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.