Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Vindication poster

Vindication (2006)

Fangoria Magazine's OCT. issue 267, introduced this upcoming independent horror movie. Vindication is an independent horror movie striving to raise the bar within the low budget financing of filmmaking. Still in post-production as of April 2008 and using the Panasonic's DVX100B mini-DV camera for production, Vindication is Bart Mastronardi's feature length psychological horror movie, based on his short of the same title. A morality tale about a young man whose attempt at suicide fails causing his guilt to manifest into reality. Vindication is due out in the fall of 2008. Guilt Shows No Mercy!
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Fangoria Magazine's OCT. issue 267, introduced this upcoming independent horror movie. Vindication is an independent horror movie striving to raise the bar within the low budget financing of filmmaking. Still in post-production as of April 2008 and using the Panasonic's DVX100B mini-DV camera for production, Vindication is Bart Mastronardi's feature length psychological horror movie, based on his short of the same title. A morality tale about a young man whose attempt at suicide fails causing his guilt to manifest into reality. Vindication is due out in the fall of 2008. Guilt Shows No Mercy!

Rating:
Genre:Horror
Directed By:Bart Mastronardi
Written By:
In Theaters:1/1/2006
Box Office:

Runtime:

Studio:

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones