Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Jean is the provider and (over)protector of her two teen children, Tamika and Tristin, and begrudgingly lives with her mother in a crowded Lawrence Heights apartment complex. Despite the kids learning to become more self-sufficient, Jean’s vision is too clouded by the past to see that they're growing. She is haunted by violence in both their past and their present, and must help her children cope. Expertly using sound and flashbacks to construct a layered and full portrait of this woman's life, Chapman reveals the trials and tribulations that women in Jean’s family carry with them.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
One of my favorite aspects of My Movie Starring Paul Dano is its blend of illustrations and dream sequences within its mockumentary structure. As the script is written, we are shown how the movie Bear Naked Amazonians From Mars looks in Herman’s head, with all its retro b movie campy charm.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!