A compelling double love story about a French-Tunisian Jewish family. Henry returns to La Goulette, port of Tunisia, with his wife, in search of his family roots. The film explores his parent's history from the 1920s, and the impact of the Vichy Government under German Occupation in the 1940s.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
