Husein is brought to trial after trying to commit suicide. He refuses to give an explanation until he is forced to. Then he begins his story. Husein enters university with help from his unmarried brother, Hasan, who dedicates his life for Husein and his sister Munah who has a heart ailment. But when Hasan meets Rahimah, Husein’s friend, Wahab, gets jealous as he considers her as his girlfriend. Wahab is very bitter about this and swears revenge. At Munah’s urging, Hasan marries Rahimah. Their happiness is short-lived since Wahab starts to woo Rahimah. After Husein punches Wahab, the latter starts spreading slander. He tells Hasan that Husein is sleeping with Rahimah. Jealousy and rage start to build up and Husein and the pregnant Rahimah are thrown out of the house.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
