A journey through the customs and traditions of Eros around the world, both the more morally acceptable and the less talked about. On this tour, we'll visit nightclubs, brothels, swingers' clubs, and much more, satisfying your every curiosity and answering those questions you've never dared to ask.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
