Vestigial challenges the culturally constructed hierarchical notions humans have about non-human life, blurring epistemological boundaries. The dancing body moves between the human, the animal, and the machine, mapping traces of past existences, experiencing the scene as an imaginative space for new realities. Dance and audiovisual elements are articulated as layers of the same sensitive perception, jointly investigating movement, accompanied by the musical compositions of the sound wizard, Hermeto Pascoal.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Love Hard is a Christmas romcom about two people who fall in love while pretending to date. It’s a romantic and fun watch. If you can forget the catfishing.
