A road movie comedy about the longing for freedom and the realization of dreams: Hilde, Karl and Philip live in a Bremen residential home for people with disabilities. While the two boys work in a workshop where they make toy "waddling ducks", Hilde peels buckets of potatoes as a kitchen assistant. Bored with the daily routine, the trio decide one day to escape from the home and go on vacation to Cologne. After a few adventures, Philip loses his wheelchair and has to "hop" around Cologne from then on. Eventually, the friends miss their train back to Bremen - and head to Paris instead. Enno, their cynical caretaker, is tasked with bringing the runaways back. A wild chase begins.
Pago Bahlke, Eike Besuden
Director
Paula Kleine
Hilde
Wolfgang Goettsch
Karl Schneider
Frank Grabski
Philip
Dominique Horwitz
Enno
Aglaia Szyszkowitz
Chris
Corinna Harfouch
Frau Hermann
Martin Lüttge
Heimleiter Kollakowski
Sandra Tkaczyk
Vanessa
Marion Mitterhammer
Julia
Doris Kunstmann
Karls Mutter
Hermann Lause
Schaffner Werner
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
This Netflix TV series is perfect for animal lovers as it is centered on human-dog bonding.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.