The 100: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

“The whole world is a jest, man was born a great jester…” So goes the brilliant conclusion to Verdi’s Falstaff, an opera inspired by Shakespeare’s beloved comedy The Merry Wives of Windsor. The virtuosic score requires a particularly talented cast, not to mention a truly exceptional conductor. Herbert von Karajan perfectly fits the bill, and this performance featuring the Wiener Philharmoniker and an all-star group of singers is clearly worthy of Verdi’s powerful work, a masterpiece whose comic facade thinly veils the complex and sometimes even tragic characters’ struggles. Recorded in 1982. Re-released 2015.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
All in all, 47 Meters Down: Uncaged is a film I would recommend. It promotes the bond of sisterhood, which in this case is clearly thicker than blood, as well as courage. No one truly knows how strong they are until they go through something unimaginable and come out changed for the better.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.