'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

Typical Spanish comedy of the seventies set in Benidorm, the famous coastal town of Alicante where numerous families come to spend the summer. It tells the travel arrangements and incidents that occur before arriving to the apartments as well as the return of working husbands to the city, once the families have settled on the beach, and their unsuccessful attempts to flirt while alone
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Sweetheart provides a stark example of self-isolation taken to its extreme.