The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Janusz Majewski adapts Prosper Mérimée’s 1835 tale of the same name, centering on a mysterious statue unearthed in a provincial town. The figure, sculpted as a tormented woman, becomes an ominous presence during a wedding celebration. When the groom impulsively slips his ring onto the statue’s finger—and cannot remove it—the joyous occasion descends into a nightmarish spiral of superstition, obsession, and the uncanny.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.