'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

A celebration of an underground movement of love, this film tells the unique story of the multi-dimensional Canadian artist collective known as "The House of Venus". From their humble beginnings throwing DIY theme parties and fashion shows, to their journey of creating world-renowned queer culture and community, we follow the members as they prepare for the 25th instalment of their performance and wearable art festival “Wiggle”.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.