Why Pit 'Alien' Against 'Aliens' When Ripley is Great in Both?
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

Marc, a young snake expert, works at a museum in Geneva. He loves snakes, to the point that he owns many and even takes a bath with his huge pet python. He meets and falls in love with a beautiful young woman named Malenka, who is the assistant--and mistress--of an older herpetologist professor. Marc discovers that not only is the "professor" a fraud but also a dangerous psychotic who had at one time seduced Marc's mother, and Marc believes that the longer Malenka stays with him, the greater danger she's in.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.