‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
Venice “All winter comes into my being” WINTER SONGS
Venice is empty, the protagonist walks from the grand sights and interiors into the backstreets, a figure at twilight walking the alley ways and into the dark night to meet the Devil at dawn. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence exotic pleasure and lovers, by Venice. It follows the bohemian idea of escapism as a form of radical resistance and as an act of sensuality in the Director’s own cinematic female gaze.
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Venice is empty, the protagonist walks from the grand sights and interiors into the backstreets, a figure at twilight walking the alley ways and into the dark night to meet the Devil at dawn. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence exotic pleasure and lovers, by Venice. It follows the bohemian idea of escapism as a form of radical resistance and as an act of sensuality in the Director’s own cinematic female gaze.
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Written By:Nina Danino
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Runtime:20 minutes
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