Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A true story of the lives of a family from South Carolina torn apart after the murder of Bill and Myrtle Moon. Although the killer is caught the judicial system takes too long for the Moon's devoted stepson and he takes matter into his own hands.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.