Vellaripravinte Changathi 

Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories. 

Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.

How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.

'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.

“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch