Veera Madakari 

Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.

“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision. 

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

"Peter Pan & Wendy" is a diverse fantasy brought to life and an adventure for all ages.

What happens to an inseparable bond when love for competing morphs into competing for love?

The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.