"Abominable" is not Abominable at all
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.

This tongue-in-cheek, deconstructionist mockumentary from writer/director Chris Caccioppoli (East of Hollywood, The Loving Dead, The Cocks of the Walk), takes a comedic look at the varying ideologies around those who opted-out of the vaccine. Playing off the prevalent conspiracy theory, the comedy is set in a world where a microchip planted in the vaccine causes the body to shut down in a "blue scream of death," killing everyone on the planet except the ant-vaxxers. The film follows seven neighboring survivors as they selfishly navigate a post-apocalyptic world. The subjects include a religious zealot (Matt Mindell), a dooms-day prepper (James Morgan), an environmentalist (Natalia Borges), an actor who feared the vaccine's cosmetic side effects (Manoli Ioannidis), a workaholic who was too busy to get vaccinated (Llewellyn Connolly), and a gamer who was too lazy to make an appointment (Jasmine Cornielle).
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.