Christmas Magic in A Cinderella Story: Christmas Wish
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.

This tongue-in-cheek, deconstructionist mockumentary from writer/director Chris Caccioppoli (East of Hollywood, The Loving Dead, The Cocks of the Walk), takes a comedic look at the varying ideologies around those who opted-out of the vaccine. Playing off the prevalent conspiracy theory, the comedy is set in a world where a microchip planted in the vaccine causes the body to shut down in a "blue scream of death," killing everyone on the planet except the ant-vaxxers. The film follows seven neighboring survivors as they selfishly navigate a post-apocalyptic world. The subjects include a religious zealot (Matt Mindell), a dooms-day prepper (James Morgan), an environmentalist (Natalia Borges), an actor who feared the vaccine's cosmetic side effects (Manoli Ioannidis), a workaholic who was too busy to get vaccinated (Llewellyn Connolly), and a gamer who was too lazy to make an appointment (Jasmine Cornielle).
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
A direct fall into the white savior narrative
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.