A simple blacksmith, Andrey, finds himself in the underwater kingdom in the place of the prince. There, unexpectedly, he wins the heart of the beautiful Varvara and becomes involved in events that could change the fate of two worlds.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
