In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

Local comic duo from the Ukraine reach for the "big time" by entering a talent contest for the Moscow vaudeville circuit, must overcome the interference of an established, competition-shy duo who are helping judge the contest.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.