The Problem with Netflix's 'Red Notice'
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.

Denis Valevsky is a 45 year-old businessman, he owns a furniture factory. He makes a tough business, quarrels with his bored wife and measures his life clearly - with dollar bills. The only thing to be appreciated is money. But the car accident unexpectedly throws Denis out of his routine. Suddenly he starts noticing things that had never interested him before: forms of flowers, silhouettes on the dress of his wife, unusual wall-paper colors... Inspired by these new abilities Denis spends all of his attention painting, gradually throwing all his businesses out of the head. As a result - he misses a profitable deal, partners recall their money back, and when a young lady artist appears in Denis' life, everything turns to complete confusion...
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary