Vampitheatre is about a touring band whose members happen to be of the vampire variety. The band moves town to town, "harvesting" members of their audience to satisfy their bloodlust. Unknown to the band, they are being pursued by an FBI agent intent on finding out why fans of a certain band called "Theatre Peace" keep disappearing. The agent finally catches up with the band, working through the bands manager and record label, only to find herself in a netherworld of danger when she finds out just how far and wide vampires have penetrated into modern society. This is not your grandfather's vampire movie. If you can imagine "Dracula" with a healthy dose of "Spinal Tap", then you have your finger on the pulse of this film.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
A direct fall into the white savior narrative
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
