Valiente: A Tracker Story (2025)

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.

It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.

While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie. 

There is no such thing as watching too many movies. Since we're still quarantined, I wanted to recommend another 19 movies for people to check out across Netflix, HBO Max, and more.