On the anniversary of Valerie's father's death she is faced with the age old question...am I gay? Valerie must navigate the emotions of being a 20 something who's dad is dead, mother is an alcoholic, and now she might like women too.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
