‘Midnight at the Paradise’ is a Love Letter to Film, Music, and the City of Toronto
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Vajont (Natale 1963)
Christmas 1963, cemetery of Fortogna, fraction of Longarone, where the victims of the Vajont disaster are buried (9 October 1963). The survivors spent Christmas here, watching over their dead and praying for them: the Christmas tree was brought to the graves. A certainty emerges from the interviews: what matters are the people, not the money.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Christmas 1963, cemetery of Fortogna, fraction of Longarone, where the victims of the Vajont disaster are buried (9 October 1963). The survivors spent Christmas here, watching over their dead and praying for them: the Christmas tree was brought to the graves. A certainty emerges from the interviews: what matters are the people, not the money.
Cast
Articles You May Like
‘Kajillionaire’ Review: A Strange, Beautiful, and Gentle Story of Lost and Found Home
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
Ryan Coogler's Sinners Turns Horror into History
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Broken Systems: Racism and Capitalism in “My Beautiful Laundrette”
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
"Him" - All Flash, No Game
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Pretty Guardian Sailor Moon Eternal Part 2'
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.