
When jockey Jimmie Driscoll, responsible for making Jim Richardson's horses winners, is fired for being too heavy, he goes to the home of the late Judge Bell, the father of local horse racing. Jimmy is in love with the Judge's daughter Joy, who was left nearly penniless when her father died. Joy's brother Harry writes to her pleading that because he desperately needs money, she should enter the aging Vagabond, the last of the Bell racehorses, in the upcoming annual event. Convinced by crooked bookmaker Spike Bradley that Vagabond will win at twenty-to-one odds, Harry mortgages his half of the house for gambling money. Jimmie discovers that although Vagabond runs horribly on normal turf, she is a "mudder," meaning that she goes into a wild dash on wet ground. After Jimmie and Joy pray for rain, Bradley, learning of Vagabond's condition, threatens the jockey, but Jimmie, riding Vagabond himself in in the rain, wins the race and afterward, Joy's love.
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.