Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Migrant shipyard workers spend their daily routine in a dormitory on the Adriatic coast. In the evening one of them visits the nearby city.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
This is not a story of oppression but a story of liberation.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.